Tibetan Singing Bowl for Meditation and Yoga, Pure Copper Sound Bowl with Clear Resonant Tone, Handcrafted without Cushion

Tibetan singing bowl made from pure copper for meditation, yoga, relaxation, chakra practice, prayer and mindfulness. Designed to be played by striking or rubbing the rim to produce clear, sustained tones. Sold without cushion. Key benefits Creates a clear, resonant sound to mark transitions, support focus, and set a reflective atmosphere during practice. Easy to use with traditional playing techniques: strike for an initial tone or circle the rim to sustain sound. Pure copper construction offers consistent tonal character and durable performance for repeated use. Lightweight and portable for use at home, in class, or on retreat. Compatible with standard cushions, cloth pads, stands, and mallets; cushion is not included so you can choose the accessory that fits your setup. Main features and attributes Material: pure copper bowl for stable resonance and a natural metallic timbre. Function: designed for striking and rimrubbing to produce sustained singing tones. Compatibility: works with common mallets and strikers and fits standard cushions and supports; cushion not included. Performance: produces longsustaining notes suitable for timing, focus, and ambient sound in group or solo settings. Care: wipe with a soft, dry or slightly damp cloth; avoid abrasive cleaners and prolonged exposure to moisture. Practical use scenarios Meditation session: strike once at the beginning and end of a sitting to signal transitions and help participants refocus. Yoga or group class: use a gentle rim stroke to create a calming soundscape between sequences or during relaxation. practice and prayer: place on an altar or desk and play during short mindfulness breaks or reading and reflection. What to expect A pure copper sound bowl that responds to standard playing methods and integrates easily into meditation, yoga, and mindfulness routines. Cushion not included so you can select the pad or stand that suits your space and tonal preference.