In Stepford Daughters Johanna Isaacson explores an emerging wave of horror films that get why class horror and gender horror must be understood together.ampampamp160In doing so Isaacson makes the case that this oftenmaligned genre is in fact a place where oppressed people can understand navigate and confront an increasingly ugly and horrifying world.ampampamp160Films like Hereditary and The Babadook show women coming apart at the seams as the promises of both the family and waged work fail them. In Get Out we see how poor women and women of color perform the invisible labor that holds up our society experiencing domestic work as a kind of possession. In ampampquotcoming of rageampampquot films such as Assassination Nation and Teeth we see the ways social reproduction leads to a futureless horizon.